French Pottery - Where To Find Limoges Marks On Authentic Boxes And Plates
As all good antique experts know, it's not that easy to discover a beautiful collectible that is also the real thing, but with some it's possible to make some simple checks if we have some guidelines to aid us. Real Limoges pottery was, and still is, made in the region in France around Limoges. If you have found a piece that seems really good, and authentic to boot, you can check if it is indeed authentic by validating where it was made and approximately when it was made. These two pieces of information are featured in the Limoges marks normally marked or stamped on the underneath of ornaments and utensils manufactured in porcelain.
On the underside of your 'Limoges' item, you may find an impression, or mark AE, indicating that the item was porcelain between 1797 and 1868 in the Allund manufacturing plant in Limoges. The company changed ownership and between eighteen sixty eight and eighteen ninety eight, and different marks were stamped on the bases of the porcelain items - CH Field Haviland, Limoges - CHF/GDM and CHF.
'Real deal' Limoges boxes are very collectible pieces of hand-crafted porcelain created in the city of Limoges. Limoges boxes are usually painted by hand and fired in an oven before applying the next layer of paint. The expensive high-end boxes can be adorned with 22-karat gold , and precious stones. The boxes have hinges made of metal for the lids which are attached at the end of he manufacturing process, which has the effect of making every item unique.
Hard-paste clay, or kaolin, was found in the mountains of the Limoges region in the early nineteenth century, which meant that artists in France could produce porcelain which was as tough as that made in China, and also with a pleasing color. For this reason, Limoges developed into the center of fine pottery manufacturing in France, also drawing business men from other countries, including the USA.
Limoges plates were in reality produced in several factories and illustrated by various painters. Blank pottery plates were made, and then shipped to other places for numerous artists to finish. It is this variation in the illustrations and painting methods that makes the variations in value of these boxes, as the standard of the illustrations fluctuates to a certain degree.
The most valuable plates are ones that are illustrated wholly by hand, and bears the mark of the artist, especially if the artist is well known and respected. Plates with exquisite details and ornate style are sought after and by and large command a high price. A subsequent process concerned the use of transfers to illustrate Limoges plates, and these items don't command such a high price.
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